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Loss exposes us and demands we find a way back to each other

Dancemakers’ Artistic Director Michael Trent re-imagines a dance from the Company’s 100-plus repertoire, a body of work amassed over its 38-year history and created by noted Canadian and international artists.

Wanting something other than a traditional remount, Trent creates a new dance piece in response to choreographer Mitchell Rose’s 1974 Following Station Identification, a ‘satirical dance on middle-American values’ set to music by Luciano Berio and Lukas Foss.

Choreography by Michael Trent

Created with and originally performed by

Robert Abubo, Amanda Acorn, Kate Holden, Benjamin Kamino and Simon Renaud

Composer: Christopher Willes

Musician: Thom Gill

Lighting Designer: Kimberly Purtell

Costume Designer: Vanessa Fischer

Artists

acCessibilIty

Yes, the venue is wheelchair accessible including ramps into the building, elevators and wheelchair accessible washrooms.

All live events will offer ASL interpretation (upon request). Please contact us to request ASL Interpretation.

This performance does not include audio description.

Loss exposes us and demands we find a way back to each other

Rarely finding creative motivation in the events from his personal life, in this work Michael Trent takes the time to look at the bodily affects of love and loss.

It is often said of love and of loss that there are stages, which change and grow, suffer setbacks and make great leaps forward. These stages are what we understand only after; in the middle – in the experience – there is meeting and parting, finding stability or barely balancing on our own or with loved ones.

Loss exposes us and demands we find a way back to each other and to ourselves by moving in ways that avoid the paralysis of sadness and missing. Because in missing so much it makes us reach, throw our bodies just to see if we can still catch ourselves. It makes us stop and start again to be sure we are not lost in the thousand-yard stare that sees everything and nothing.

Visible and exposed from all sides, loveloss asks the performers to imagine and sense, to improvise their way through states of activities and states of being as they move into love and into loss, out of love and out of loss.

Choreography by Michael Trent

Created with and performed by Robert Abubo, Amanda Acorn, Ellen Furey, Simon Portigal, Simon Renaud

Composer Christopher Willes

Dramaturge Jacob Zimmer

Lighting Designer Kimberly Purtell

Costume Designer Vanessa Fischer

Artists

acCessibilIty

Yes, the venue is wheelchair accessible including ramps into the building, elevators and wheelchair accessible washrooms.

All live events will offer ASL interpretation (upon request). Please contact us to request ASL Interpretation.

This performance does not include audio description.

Using the Rite of Spring as a jumping off point

In Hi-Fi, the Dancemakers company dancers and their collaborators – Nick Andison, Xenia Benivolski, Marianna Rosato, Christopher Willes and Jacob Zimmer – come together in a different way.

In response to the extremely successful presentation of Lo-Fi, An Evening of Works-In-Progress in 2012, Dancemakers Artistic Director Michael Trent has relinquished his fall season and handed it over, along with all the authority, to the resident company dancers.

The company dancers and their collaborators are using the Rite of Spring as a jumping off point for Hi-Fi. The current Wikipedia entry for the Rite of Spring reads: “[in] various primitive rituals celebrating the advent of spring, a young girl is chosen as a sacrificial victim and dances herself to death.”

A possible future Wikipedia entry for Dancemakers’ Hi-Fi might read: “[in] various contemporary rituals celebrating the advent of something new, nine young people consented to sacrifice themselves into a history of sorts.”

With the presumption of roles removed, the consensual mutiny can begin! In, with and through Hi-Fi, the artists can question authority, criticize the mandate of the company that engages them, and push their own physical boundaries in a safe and supportive environment.

Throughout the unorthodox creation period, the artists surrender to the work: dancer becomes dramaturge, costume designer becomes dancer and dancer becomes musician in order to explore the conundrum of contemporary living.

Made and Performed by:

Robert Abubo, Amanda Acorn, Nick Andison, Xenia Benivolski, Ellen Furey, Benjamin Kamino, Simon Portigal, Christopher Willes and Jacob Zimmer

Lighting Design: Nick Andison

Stage Manager: Marianna Rosato

Artists

acCessibilIty

Yes, the venue is wheelchair accessible including ramps into the building, elevators and wheelchair accessible washrooms.

All live events will offer ASL interpretation (upon request). Please contact us to request ASL Interpretation.

This performance does not include audio description.

Forty years of Dancemakers

Celebrating Dancemakers 40th anniversary, this new work mines all the ways we encounter ourselves and others in our pursuit of being human.

Working through the production of continuous and non-repeating image-making in groups of 1 to 10, the artists create a series of successive encounters between bodies, the environment and sound.

Through a process of emergence and dissolution, they reveal a space for the viewers’ imagination to take flight.

Choreography and set design by Michael Trent

Created with and performed by

Robert Abubo, Amanda Acorn, Ellen Furey, Lee Gelbloom, Andrew Hartley, Benjamin Kamino, Jolyane Langlois, Anna Mayberry, Simon Portigal and Riley Sims

Sound Score by Christopher Willes

Dramaturgy by Jacob Zimmer

Lighting by Kimberly Purtell

Costumes by Vanessa Fischer

Artists

acCessibilIty

Yes, the venue is wheelchair accessible including ramps into the building, elevators and wheelchair accessible washrooms.

All live events will offer ASL interpretation (upon request). Please contact us to request ASL Interpretation.

This performance does not include audio description.

CHRONIC NEED is a work by Alicia Grant in collaboration with Andrea Spaziani.

My interest is how to work at sculpting an endlessly recurrent, infinitely present and troublesome need.

By working with presence and absence, Andrea and I are working at shifting our modes of perception. How can we receive the information of the wigs, the public, discomfort and pleasure? How do we stay with the unnameable?

The wigs, for me, are our field of ghosts. Frightening and powerful, empty yet full.

Throughout the process, I encouraged long physical tangents to arrive at a distilled, fierce and confusing situation where the dance could occur.

It’s a hyperfeminine garbage bag:

it’s about

needs

it’s about

desires

it’s about

necessity

it’s about

time

it’s about

what doesn’t leave you

it’s about

what’s always with you

it’s about

something that’s always there

Curated by Ben Kamino & Emi Foster

ArtisTs

acCessibilIty

Yes, the venue is wheelchair accessible including ramps into the building, elevators and wheelchair accessible washrooms.

All live events will offer ASL interpretation (upon request). Please contact us to request ASL Interpretation.

This performance does not include audio description.

A work by Alicia Grant in collaboration with Ellen Furey

Throughout the performance, the two performers develop methods for resistance and resilience through dance moves and life moves. They engage in the labour of transformation of both themselves and the space. They participate in versions of self and environment that are constantly destabilized. 

The work is located inside the artifice and reality of a black box theatre. It fully exists because it is being experienced by others. 

The two performers have some help from a gong, fantastical dream outfits and hot water bottles. There is fear, there is desperation, there is joy. 

Is the light at the end of the tunnel an end or a beginning? 

Curated by Ben Kamino & Emi Foster

ArtisTs

acCessibilIty

Yes, the venue is wheelchair accessible including ramps into the building, elevators and wheelchair accessible washrooms.

All live events will offer ASL interpretation (upon request). Please contact us to request ASL Interpretation.

This performance does not include audio description.

2016

Flowchart is a series of multidisciplinary performance presenting short works by artists engaging with the choreographic from the perspective of multiple fields; work which pays attention to organizing movement in space and having it be affected by/also itself affect time. By contextualizing non-dance works within and alongside the choreographic, an engagement with these ideas becomes newly visible. Flowchart is interested in works that centralize the body and offers a curiosity about what happens to non-dance works when they are presented in the scope of a field that inevitably does so.

Flowchart encourages artists to approach their process in a way that is new to them, and offers a platform for experimentation.

Flowchart began as a studio series in 2014 and has grown into a robust recurring series, now housed at Dancemakers, offering a critically needed resourced and supported presentation platform for artists.

Meg Foley,

Open Fortress,

Robert Kingsbury,

Syrus Marcus Ware,

Aliya Pabani,

Lo Bill,

Bridget Moser,

Fan Wu,

Thom Gil,

Peg and Buzz


Artists

acCessibilIty

Yes, the venue is wheelchair accessible including ramps into the building, elevators and wheelchair accessible washrooms.

All live events will offer ASL interpretation (upon request). Please contact us to request ASL Interpretation.

This performance does not include audio description.

2017

Flowchart is a series of multidisciplinary performance presenting short works by artists engaging with the choreographic from the perspective of multiple fields; work which pays attention to organizing movement in space and having it be affected by/also itself affect time. By contextualizing non-dance works within and alongside the choreographic, an engagement with these ideas becomes newly visible. Flowchart is interested in works that centralize the body and offers a curiosity about what happens to non-dance works when they are presented in the scope of a field that inevitably does so.

Flowchart encourages artists to approach their process in a way that is new to them, and offers a platform for experimentation.

Flowchart began as a studio series in 2014 and has grown into a robust recurring series, now housed at Dancemakers, offering a critically needed resourced and supported presentation platform for artists.

Meryem Alaoui,

Katie Ward,

William Ellis,

Aisha Sasha John,

Lo Bill,

Francesca Chudnoff/Justin de Luna,

Marisa Hoicka, and

Barbara Lindenberg/Allison Peacock

Artists

acCessibilIty

Yes, the venue is wheelchair accessible including ramps into the building, elevators and wheelchair accessible washrooms.

All live events will offer ASL interpretation (upon request). Please contact us to request ASL Interpretation.

This performance does not include audio description.

2019

Flowchart is a series of multidisciplinary performance presenting short works by artists engaging with the choreographic from the perspective of multiple fields; work which pays attention to organizing movement in space and having it be affected by/also itself affect time. By contextualizing non-dance works within and alongside the choreographic, an engagement with these ideas becomes newly visible. Flowchart is interested in works that centralize the body and offers a curiosity about what happens to non-dance works when they are presented in the scope of a field that inevitably does so.

Flowchart encourages artists to approach their process in a way that is new to them, and offers a platform for experimentation.

Flowchart began as a studio series in 2014 and has grown into a robust recurring series, now housed at Dancemakers, offering a critically needed resourced and supported presentation platform for artists.

Jon McCurley

Kate Nankervis & Ann Trépanier

Nikola Steer

Jasmyn Fyffe & Alicia Nautu

Oliver Husain & Anni Spadafora

Carol Anderson

Lara Kramer

Sarah Aiken

Artists

acCessibilIty

Yes, the venue is wheelchair accessible including ramps into the building, elevators and wheelchair accessible washrooms.

All live events will offer ASL interpretation (upon request). Please contact us to request ASL Interpretation.

This performance does not include audio description.

pulsing party and minimalist dreamscape

In collaboration with performer Ann Trépanier and DJ po NY, Leisure Palace plays with notions of time and attention transforming the space from abandoned relic to otherworldly dancefloor. A site responsive, immersive installation that floats between pulsing party and minimalist dreamscape, the artists build an environment in and around the audience in slow motion. Premiered at InFuture Festival at Ontario Place along Toronto’s waterfront. Commissioned by Art Spin for InFuture and co-produced by Dancemakers.

Created with and performed by Amanda Acorn, Ishan Davé, Justin DeLuna, Lori Duncan, Mary Dora Bloch-Hansen, Ann Trépanier and PoNy.

Costume design and creation Amanda Acorn and PoNy. Live Dj PoNy.

Artists

acCessibilIty

Yes, the venue is wheelchair accessible including ramps into the building, elevators and wheelchair accessible washrooms.

All live events will offer ASL interpretation (upon request). Please contact us to request ASL Interpretation.

This performance does not include audio description.