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The Talking, Thinking, Dancing Body is a facilitated conversation about aesthetics, context and artistic process.

Initiated in 2012 by Lee Su-Feh of battery opera performance, it encourages speaking about dance from an awareness of our bodies as well as the world it lives in. It unabashedly interrogates dance through a lens that is concerned with anti-colonialism, anti-racism and feminism.

In this edition of The Thinking Dancing Body (TTDB), Lee Su-Feh and Barak adé Soleil will lead a discussion on “Performing the Dominant Body” and what it means for different bodies in different spaces: the how, the why and the impact on both the space and the bodies within that space.

Food and ASL interpretation will be provided. Dancemakers is a fully accessible space. For the accessible entrance, enter through the doors on the north side of the Case Goods building, up the ramp. The Case Goods building is immediately east of Balzac’s. Take the elevator to the third floor and follow signage to the Theatre Studio 313.

Co-Presented by Dancemakers, the Toronto Dance Community Love-In & the Canadian Alliance of Dance Artists – Ontario Chapter

Artists

acCessibilIty

Yes, the venue is wheelchair accessible including ramps into the building, elevators and wheelchair accessible washrooms.

All live events will offer ASL interpretation (upon request). Please contact us to request ASL Interpretation.

This performance does not include audio description.

A playful, yet also meditative experience.

In her inaugural Residency year, we showed the Toronto Première of Lee Su-Feh’s Dance Machine, a kinetic sculpture that is transformable into multiple configurations.

The public was invited to enter this family-friendly installation and share tasks, play, and work with the artists who act as hosts and facilitators. An embodied experience that has the potential to inspire deep rest as well as mindful play, the Dance Machine is simply a beautiful dynamic object to witness from multiple perspectives.

Dance Machine premiered at Festival TransAmériques in 2017, and it is now being shown across Canada.

Co-produced by battery opera performance
Conceived by Lee Su-Feh
Designed by Jesse Garlick
Assisted by Justine Chambers
With Brandy Leary, Alexa Mardo, Supriya Nayak, Barak adé Soleil, & Brian Solomon

Artists

acCessibilIty

Yes, the venue is wheelchair accessible including ramps into the building, elevators and wheelchair accessible washrooms.

All live events will offer ASL interpretation (upon request). Please contact us to request ASL Interpretation.

This performance does not include audio description.

In partnership with

Tap Dance artists looking to dream up the shoe of the future.



An extraordinary journey into the worlds of tap, craft and performance and how many hands are involved in the process of imagining the future through a shoe.



Experience the materials and sounds that shape the dreams of Toronto’s tap dancers, and watch the process of innovating an instrument unfold before your eyes.



Inspiration for this work includes:

Class Act Book
Class Act: The Jazz Life of Choreographer Cholly Atkins

Artists

acCessibilIty

Yes, the venue is wheelchair accessible including ramps into the building, elevators and wheelchair accessible washrooms.

All live events will offer ASL interpretation (upon request). Please contact us to request ASL Interpretation.

This performance does not include audio description.

IN PARTNERSHIP WITH

We want to know what dance might look like in 2074. What will happen to dance, choreography over the next two generations?

This is a speculative choreography project in which nine artists have been tasked with creating a dance for 50 years into the future. We want to know, now, what dance might look like in 2074. What will happen to dance, choreography and stops in between over the next two generations.

This is a thought experiment and a real exercise that considers what the role, purpose, form and potential of dance (as well as performance, choreography, movement, or adjacent and related forms such as performance art) might be at this critical convergence of the climate crisis, violent international conflicts and political upheaval.

Participating artists will present a range of responses—a short performance, written score, film, audio-recording, descriptive essay or something yet imagined.

supportTHEsupport by Margaret Dragu

untitled by Johnny Forever Nawracaj

waiting for the future to remember the past by Nova Bhattacharya

Time to Wake Up by Freya Björg Olafson

Future Tap Dance by Travis Knights

Between a River and Lightning by Lee Su-Feh

Future Dances by Laura Taler

live performance by Ronnie Clarke (with Harry Clarke)

live performance by Ravyn Wngz

essay by abisola oni

Inspiration includes: Jesse Wente’s lecture on CBC Ideas

The CBC Ideas logo and play button

Artists

acCessibilIty

Yes, the venue is wheelchair accessible including ramps into the building, elevators and wheelchair accessible washrooms.

All live events will offer ASL interpretation (upon request). Please contact us to request ASL Interpretation.

This performance does not include audio description.

IN PARTNERSHIP WITH

SUPPORTED BY