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2016

Flowchart is a series of multidisciplinary performance presenting short works by artists engaging with the choreographic from the perspective of multiple fields; work which pays attention to organizing movement in space and having it be affected by/also itself affect time. By contextualizing non-dance works within and alongside the choreographic, an engagement with these ideas becomes newly visible. Flowchart is interested in works that centralize the body and offers a curiosity about what happens to non-dance works when they are presented in the scope of a field that inevitably does so.

Flowchart encourages artists to approach their process in a way that is new to them, and offers a platform for experimentation.

Flowchart began as a studio series in 2014 and has grown into a robust recurring series, now housed at Dancemakers, offering a critically needed resourced and supported presentation platform for artists.

Meg Foley,

Open Fortress,

Robert Kingsbury,

Syrus Marcus Ware,

Aliya Pabani,

Lo Bill,

Bridget Moser,

Fan Wu,

Thom Gil,

Peg and Buzz


Artists

acCessibilIty

Yes, the venue is wheelchair accessible including ramps into the building, elevators and wheelchair accessible washrooms.

All live events will offer ASL interpretation (upon request). Please contact us to request ASL Interpretation.

This performance does not include audio description.

2017

Flowchart is a series of multidisciplinary performance presenting short works by artists engaging with the choreographic from the perspective of multiple fields; work which pays attention to organizing movement in space and having it be affected by/also itself affect time. By contextualizing non-dance works within and alongside the choreographic, an engagement with these ideas becomes newly visible. Flowchart is interested in works that centralize the body and offers a curiosity about what happens to non-dance works when they are presented in the scope of a field that inevitably does so.

Flowchart encourages artists to approach their process in a way that is new to them, and offers a platform for experimentation.

Flowchart began as a studio series in 2014 and has grown into a robust recurring series, now housed at Dancemakers, offering a critically needed resourced and supported presentation platform for artists.

Meryem Alaoui,

Katie Ward,

William Ellis,

Aisha Sasha John,

Lo Bill,

Francesca Chudnoff/Justin de Luna,

Marisa Hoicka, and

Barbara Lindenberg/Allison Peacock

Artists

acCessibilIty

Yes, the venue is wheelchair accessible including ramps into the building, elevators and wheelchair accessible washrooms.

All live events will offer ASL interpretation (upon request). Please contact us to request ASL Interpretation.

This performance does not include audio description.

2019

Flowchart is a series of multidisciplinary performance presenting short works by artists engaging with the choreographic from the perspective of multiple fields; work which pays attention to organizing movement in space and having it be affected by/also itself affect time. By contextualizing non-dance works within and alongside the choreographic, an engagement with these ideas becomes newly visible. Flowchart is interested in works that centralize the body and offers a curiosity about what happens to non-dance works when they are presented in the scope of a field that inevitably does so.

Flowchart encourages artists to approach their process in a way that is new to them, and offers a platform for experimentation.

Flowchart began as a studio series in 2014 and has grown into a robust recurring series, now housed at Dancemakers, offering a critically needed resourced and supported presentation platform for artists.

Jon McCurley

Kate Nankervis & Ann Trépanier

Nikola Steer

Jasmyn Fyffe & Alicia Nautu

Oliver Husain & Anni Spadafora

Carol Anderson

Lara Kramer

Sarah Aiken

Artists

acCessibilIty

Yes, the venue is wheelchair accessible including ramps into the building, elevators and wheelchair accessible washrooms.

All live events will offer ASL interpretation (upon request). Please contact us to request ASL Interpretation.

This performance does not include audio description.

pulsing party and minimalist dreamscape

In collaboration with performer Ann Trépanier and DJ po NY, Leisure Palace plays with notions of time and attention transforming the space from abandoned relic to otherworldly dancefloor. A site responsive, immersive installation that floats between pulsing party and minimalist dreamscape, the artists build an environment in and around the audience in slow motion. Premiered at InFuture Festival at Ontario Place along Toronto’s waterfront. Commissioned by Art Spin for InFuture and co-produced by Dancemakers.

Created with and performed by Amanda Acorn, Ishan Davé, Justin DeLuna, Lori Duncan, Mary Dora Bloch-Hansen, Ann Trépanier and PoNy.

Costume design and creation Amanda Acorn and PoNy. Live Dj PoNy.

Artists

acCessibilIty

Yes, the venue is wheelchair accessible including ramps into the building, elevators and wheelchair accessible washrooms.

All live events will offer ASL interpretation (upon request). Please contact us to request ASL Interpretation.

This performance does not include audio description.

intimate, sensorial encounters.

A veritable immersion for the spectators, overlooking and surrounding an arena, multiform(s) hypnotizes. A vibrant, moving tableau inspired by the vivid pigments of Mark Rothko’s paintings, the performance transports the audience to an altered state as it fascinates and casts a spell. Beyond time, beyond reality, Acorn manages by means of a subtle, complex dialogue of bodies to create a moment of rare beauty. A journey of the senses, the pure pleasure of abstraction“. – Elsa Pepin, FTA archive

Created with and performed by Jonathan Adjemian, Meryem Alaoui, Ellen Furey, Jolyane Langlois, Germaine Liu, Ann Trépanier and Kathia Wittenborn.

Sound performed live by Jonathan Adjemian/Hoover Party and Germaine Liu

Lighting design by Paul Chambers,

Costume design by Sarah Doucet

Supported by Dancemakers and the Centre for Creation

images by Yuula Benivolski and Joffrey Saintrap

Artists

acCessibilIty

Yes, the venue is wheelchair accessible including ramps into the building, elevators and wheelchair accessible washrooms.

All live events will offer ASL interpretation (upon request). Please contact us to request ASL Interpretation.

This performance does not include audio description.

This work is for accessing the courage to keep going.

This Desiring Pony is performed by the alter ego SCHPANDO. She materialized as a voice that brings consciousness to the unconscious of A Spaziani.

She speaks indirectly, through technology, and performatively, in an attempt to improvise new forms that attend to the present moment as it is being listened to. She’s a character in a constant state of surrender, wearing the affects around her for the split second of their intensity. She is a strange mirror, reflective of the data of each moment. She is constantly morphing and slipping out from under the constraint of language. She is a representation of how to perceive the present as both incomplete and novel, and how to get out of a constraint by going deeper into its particularities.

Artists

acCessibilIty

Yes, the venue is wheelchair accessible including ramps into the building, elevators and wheelchair accessible washrooms.

All live events will offer ASL interpretation (upon request). Please contact us to request ASL Interpretation.

This performance does not include audio description.

a procreative anti-altar that transforms water into deeply felt sound waves and black fabric.

SILVER VENUS is an ensemble reconstruction of the feminine persona VENUS that combines the activity of silver with aquatic behaviour  It is a procreative anti-altar that transforms water into deeply felt sound waves and black fabric.

April 26th-28th, 2018
at the Dancemakers Centre for Creation, Toronto
Choreography by Andrea Spaziani
Music and Performance by Matt Smith
Made in Collaboration with and Performed by Nicole Rose Bond, Irvin Chow, Francesca Chudnoff, Alicia Grant, Julia Male, and Claire Turner Reid
Makeup by Jooyeon Kim
Costume Design by Buzz / Rebaie by Rebée
Score design by Gracia Gallo of Concept Citron
Full Score text HERE

Poster by Eric Kostiuk Williams
Photos by Claire Harvie

Artists

acCessibilIty

Yes, the venue is wheelchair accessible including ramps into the building, elevators and wheelchair accessible washrooms.

All live events will offer ASL interpretation (upon request). Please contact us to request ASL Interpretation.

This performance does not include audio description.

We swapped our right eyeballs.

This solo tracks the perception of pressure. I was inspired by time spent in the South-West of the the United States, learning to ride horses, and watching Western films. I invited Clint Eastwood and his many decoys to the desert for a small occasion.

We swapped our right eyeballs. Eye for an eye, plus germs and a tiny stye. I am here now, hiding in plain sight, tying knots, and becoming an edge. Being in the presence of such resilient elements is not a new feeling, but wearing them and owning them is alien.

Artists

acCessibilIty

Yes, the venue is wheelchair accessible including ramps into the building, elevators and wheelchair accessible washrooms.

All live events will offer ASL interpretation (upon request). Please contact us to request ASL Interpretation.

This performance does not include audio description.

Moving between what is precious and what is disposable

Eating bones and Licking bread works with the body, texture and sound. It plays with sustained images that change in meaning. Questions around the colonial system of preserving hunger and consuming land and body anchors the artist inside of the work. Inside the ongoing recovery.

Moving between what is precious and what is disposable, the artist Lara Kramer proposes the solo performance as a state of being close to her public and to deepen her listening to the collective sensations and reactions. It gives attention to the imbalances that occur. A minimal soundtrack of field recordings and textures stirs and provokes the physically marked landscape, like an apocalyptic ballad. We fall to the ambiguity in the dreaming, in the live performance.

Eating bones and Licking bread was first showcased at Dancemakers during the Flowchart series in November 2018 curated by Amelia Ehhrhardt. It since has since been presented and  further developed at the Festival International d’Art Performance 2nd Edition November 5th-12th 2019 at the Musée d’Archéologie Précolombienne et de Préhistoire de la Martinique and Lycée Centre Sud de Ducos High School | FIAP, Martinique co-curated by Annabel Guérédrat and Henri Tauliaut.

Artists

acCessibilIty

Yes, the venue is wheelchair accessible including ramps into the building, elevators and wheelchair accessible washrooms.

All live events will offer ASL interpretation (upon request). Please contact us to request ASL Interpretation.

This performance does not include audio description.

past and future generations come together and manifest in Lara Kramer’s body, mind and dreams.

Them Voices explores the transporting of sound, body, mobility, imagination, and connection, in relation to a recurring dream, memory, family, and future dreaming.

The artists Lara Kramer positions herself inside shared experiences with her mother and explores hopes, dreams and future thriving. The title Them Voice is interpreted as multiple voices, stories, imagery, that are imbedded in the artist’s body and that are anchored with her mother and family relations. The multigenerational experiences that come before and proceed the artists, future dreaming becomes the crafting of fuel towards new rhythms, new modes of mobility.

Them Voice searches to be inside the place that carries memory and future imagination. Laying out in all possible directions. What has been exerted, what is failed. What is not yet seen or dreamt of. All is together, intersecting in Them Voice. Strives to re-imagine new pathways connected to future ancestors in their flight and journey.

Conceived, created, set and performed by Lara Kramer

Sound creation + editing: Lara Kramer + Simon Riverin

Outside Eyes: Faye Mullen + Peter James

Knowledge keeper: Ida Baptiste

Elder: Emerson Ninigishki’ing

Documentation: Ivanie Aubin-Malo + James Oscar

Lighting Design: Hugo Dalphond

Technical Director: Simon Riverin

Creative Residencies with Dancemakers + Place des Arts + Musée d’art contemporain

Coproduced with Festival TransAmériques + Dancemakers

With support from Conseil des arts et des lettres du Quebec


Artists

acCessibilIty

Yes, the venue is wheelchair accessible including ramps into the building, elevators and wheelchair accessible washrooms.

All live events will offer ASL interpretation (upon request). Please contact us to request ASL Interpretation.

This performance does not include audio description.